On Thursday (Nov 14), Blake Shelton threw a The Voice party at his Nashville Bar Ole Red. He performed for an audience that included a slew of his former Team Blake Shelton members, and others. A few of his former teammates [Red Marlow, Raelynn & Emily Ann Roberts] also performed.
Join the YMCA of Middle TN at Loveless Barn on Nov. 8th for an evening of celebration and inspiration with some of Music City’s finest songwriters and performers. This year will feature a breast cancer survivor herself, Anita Cochran along with her all-star female band, Chicks Under Cover. In addition, we’ve got Music City sweetheart Amber Leigh and Red Marlow, runner up from Season 13 of NBC’s The Voice, Blake’s team. Doors and silent auction open at 5:30pm. At 6pm, dinner from the world famous Loveless Cafe will be served. A “Premier ticket” will offer you admission to the “Meet & Greet” to get up close and personal with our performers. The concert will begin promptly at 7pm.
Remember Red Marlow? Sure you do, he was the all-country, all-heart contestant on the 13th season of The Voice, who made his way onto Blake Shelton‘s team but ended up placing fourth in the end. Well, it turns out Marlow helped along another Voice hopeful, Caeland Garner, whom he encouraged to move to Nashville and pursue his musical ambitions.
Red Marlow came fourth on the US version of The Voice (Season 13) but on the strength of this he maybe should have done better than that. He was, as one might expect, mentored by Blake Shelton, and he may actually be as country as cornbread. Across this album he brings us just about every facet of 21st century country music. From the slightly contrived and a bit too modern sounding for me title track to contemporary ballads like If Every Day Was Sunday Marlow sets the bar pretty high for what a contemporary country album can be these days.
Then he goes and clears that bar with Let There Be Neon. It’s a modern honky tonk killer that lives up to its slow intro in every way. Instantly catchy, it reminds me of Brooks & Dunn at their very best and I’ll bet his former voice mentor wishes he could record something as good as this. I implore you, if you do nothing else, go and buy this track from iTunes, and if digital downloads aren’t your thing it probably is good enough to justify the purchase of a CD. If you were to do that I’d be pretty sure you’d also enjoy Thank God For A Woman which could have been made for George Strait and has a slight Kenny Chesney feel about it even if I found it rather hard to resist trying to sing ‘Thank God For The Radio’. It’s probably more due to the “thank God” words than it is the song itself. Either way, Alan Jackson wouldn’t mind calling it his own methinks.
I wasn’t nearly so keen on the thumping drums that were mixed right up in my face on That’s Where We Live, but I can quite understand why Marlow might have included it. Thankfully, the majority of the album is more restrained in its production and features some well-written songs that could’ve come from 20 years ago. If Every Day Was Sunday is nicely down-homey yet commercial, and the ballad Four Ounces At A Time retreads the familiar theme of drinking someone off your mind in a fresh way. It’s another song that would be at home in George or Alan territory.
Perhaps, if Red Marlow had won The Voice, he might have been bringing us a major label release and all the hype and tour supports that go along with it, but I’m darn sure he wouldn’t have made an album as good as this. Country As Cornbread stands as a fine example of how a new album can be contemporary yet still respect its roots. Of course, personally I’d have liked ten Let There Be Neons but even I realize that to do that might hurt his commercial success. As it stands, Red Marlow has shown up just about every artist on the current Billboard chart with this release. And then there’s Let There Be Neon – did I mention that?
CMP | September 2018 Issue | Duncan Warwick
This benefit festival for St Jude Children’s Research Hospital features four days and over forty artists joining together to help find an end to childhood cancer. For 2018, the MACC is bringing a young classic country artist to this year’s event. Red Marlow appeared on Season 13 of NBC’s The Voice, and notched a Top 4 finish in the televised singing competition. Mentored by country superstar, Blake Shelton, Red Marlow’s traditional country sound won over fans nationwide. This preacher’s son from northern Alabama grew up singing in church, and even has some bluegrass in his background. Knowing that many bluegrass crowds are also fans of traditional country sounds, seeing artists such as The Malpass Brothers, Mo Pitney, and Gene Watson on festival lineups isn’t entirely uncommon these days, and have provided a nice change of pace during multi-day festivals. The MACC is very excited to welcome Red Marlow to this year’s event, as he joins the fight to help bring an end to childhood cancer.
Pickler, who will perform on Sept. 15, joins the previously announced line-up that includes… “The Voice” contestant Red Marlow.